Kyra László

Kyra László’s work is inspired by spatial situations, visuals, and sensations. Her art explores the tension between inner and outer spaces—opposites that still belong together. Photography is part of her everyday life; she captures fleeting moments like beams of light, shadows, textures, or reflections. These visual impressions often find their way into her pieces, especially her glass works, which are based on photographs of real architectural spaces, reinterpreted through her unique perspective.

INTERNATIONAL APPEARANCES AND AWARDS

Selected exhibitions:

2024

• Montage,Hosszúhetény – Solo exhibition
• Moment,Karinthy Salon, Budapest- Solo exhibition
• hu /Ankara, Istanbul, Dunaszerdahely, Brussels, Vienna, Lisbon, Madrid, Berlin, Denizli, Jablonec)
• Glasspring-Klebelsberg Culture Curia
• Art Market-Budapest

2023

• Zadar Glass Museum
• hu /House of Music, Budapest; The Venice Glass Week; International Biennale of Glass -Sofia, Belgrade, Museum of Applied Arts, Helsinki-Liszt Institute;/
• Designblok- Prague
• Milan Design Week
• Art Market-Budapest

2022

• Silent Room- Solo Exhibition, B32 Gallery, Budapest
• Glass for Six-Ferenczy Museum, Szentendre
• Common Space,2nd National Salon – Kunsthalle, Budapest
• Homage á Glass-Homage to Glass -De La Motte Beer Palota, Budapest
• HuGlass – Basilica of Budapest
• Art Market-Budapest
• Glasspring-Space-Image Gallery , Budapest

2020

• Die Rückkehr – Glasmuseum Frauenau, Germany

ABOUT THE EXHIBITED OBJECTS

Memorial Corner (2023)

“Memorial Corner” is a composed interpretation of a real spatial perspective. In the process, Kyra László creates several sketches based on photographs, gradually simplifying lines while omitting or emphasizing certain elements—shaping a visual world of her own. Through the enlarged details, the closeness of lines and angles, the viewer is drawn into the piece, becoming part of this personal memory corner.]

Edge of reality (2025)

“Edge of reality” is László Kyra’s latest work, inspired by her invitation to the Glassification exhibition in Jablonec, Czech Republic. The piece revisits memories from her student years in Prague, blending personal impressions with a photo taken at the time. Using freer gestures and allowing the glass to flow beyond the surface, the composition reflects a vision where memory and reality blur—offering a glimpse into a deeply personal inner landscape.