Cecília Schmidt

Majorelle objects combine elements of traditional Moroccan heritage with contemporary European design, creating a bridge between different cultures. Their aim is to bring these worlds closer together through form—so that they are not perceived as exotic curiosities, but rather as valuable traditions by the viewer.

ABOUT THE DESIGNER

Cecília Schmidt began her artistic career as a graphic designer, earning her first degree from VISART Academy of Arts, and she has worked in the field ever since. Over time, she became increasingly drawn to the world of handcrafted, more complex object-making, which led her to study at Moholy-Nagy University of Art and Design, where she graduated with a specialization in ceramics. Her work combines graphic design and craftsmanship with a holistic approach, with a strong focus on branding.

INTERNATIONAL APPEARANCES AND AWARDS

• In 2024, she won an illustration competition in Portugal, as a result of which the Santos Monteiro Taylor carpet factory (Caldas da Rainha) produced her design in a 2.5-meter size. The piece is available for purchase through the company’s website. The carpet was also exhibited at the HOMEING interior design fair in Lisbon the same year.

ABOUT THE EXHIBITED OBJECT

Majorelle

The aim of the Majorelle set is to bring the most iconic ceramic objects of traditional Berber heritage closer to today’s visual culture. The tagine pot is one of Morocco’s culinary symbols; its shape allows food to be cooked with minimal water. The traditional base form is playfully reimagined through soft waves. The cup draws on the shapes of traditional Moroccan ceramic cups, while the delicate gradient glazes developed by Cecília Schmidt capture both the richness of Moroccan culture and create a unique atmosphere.